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名称 Screening the dark side of love : from Euro-horror to American cinema
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(| 08 环境公报)
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出版社 New York, N.Y. : Palgrave Macmillan, 2012.
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页数 xxiv, 256 p. : ill. ; 23 cm.
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注解 Most essays in this collection were presented at a 2010 biennial conference, Film and History, held in Milwaukee, where "Love" was the main theme. 附註 Includes bibliographical references (p. 225-236) and index. 內容 The whip and the body: sex, violence, and performative spectatorship in Euro-horror S&M cinema / Ian Olney -- Re-imagining censorship as "reel" mutilation: why not release a G-rated version of David Cronenberg's Crash? / Janet S. Robinson -- Antichrist: lost children, love, and the fear of excess / Terrie Waddell -- Black bucks and Don Juans: in the cut's seductive mythologies of race and sex / Tiel Lundy -- Mad love: the anxiety of difference in the films of Lon Chaney Sr. / Karen Randell -- Love, crime and Agatha Christie / Mark Aldridge -- Monstrous love: oppression, intimacy and transformation in Mary Reilly / Cynthia J. Miller -- Self-mutilation and dark love in Darren Aronofsky's Black swan (2010) and Michael Haneke's The piano teacher / Karen A. Ritzenhoff -- Female pleasure and performance: masochism in Belle de jour and Histoire d'o / Samm Deighan -- "What's in the basket?": sexualized and sexualizing violence in Frank Henenlotter's Basket case / Lisa Cunningham -- Blood and bravado: violence, sex, and Spain in Pedro Almod贸var's film Matador / Meggie Morris -- The backhand of backlash: troubling the gender politics of domestic violence scenes in Tyler Perry's The family that preys / Jenise Hudson -- Fatal attraction redux?: the gender, racial, and class politics of obsessed / Suzanne Leonard and Bailey Ray -- The idea of love in the TV serial drama In treatment / Christine Lang -- Fucking machines: high-tech bodies in pornography / Sarah Schaschek.